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La Conquista Di Luna

Luciano Michelini

Condition (Media | Cover) : Mint (M) | Mint (M)

Label: Schema | SCEB945LP

Country: Italy

Year: 2016

Format: - Album
Genre: , ,

More info: + CD, Reissue

Out of stock

A journey into space with a wonderful sound – served up here as a set of cosmic instrumentals from Luciano Michelini, most of which have a pretty groovy vibe! The mix of 60s instrumentation, spacey touches, and light electric moments peppered with cool keyboards or woodwinds, and occasional wordless vocals – all in this way that provides a wonderful 60s fantasy of the moon, and one that’s actually a lot more exciting than any of the real moon landing records out there. There is only a tiny Wikipedia page about Luciano Michelini, and is written in German. A fact that should make us think about how he is still virtually unknown and unappreciated in Italy. After graduating from the conservatory, the pianist and composer started working as a teacher, while pursuing a more creative career as a composer. From 1964 to 1982 he also worked as a manager for RCA and left his mark primarily as the author of Italian film soundtracks. Among his best-known scores are worth mentioning Il Decamerone Nero, La Polizia Accusa, La città gioca d’azzardo and, above all, the beautiful L’isola degli Uomini Pesce, written for the eponymous sci-fi horror film by Sergio Martino. His true masterpiece, however, was composed in 1969 and is titled La Conquista di Luna (The Moon’s Conquest), one of the rarest and most sought Italian soundtracks, virtually impossible to get without spending a fortune. Michelini and his orchestra produced this imaginary sci-fi soundtrack enriched by the presence of the legendary singer Edda Dell’Orso on some tracks. Drawing its structure from classical and orchestral soundtracks, the album is tinged with prog elements ahead of their time, soft psychedelia and moments of sheer genius: more than 40 years after its first release, it still guarantees a jaw-dropping listening experience. It is almost impossible, for example, to listen to Tycho without thinking of the following decades of orchestral pop production and how a song like that could and should have exerted its influence.

Brand new, never played, sealed

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